HEARTS AND MINDS: THE INTERROGATION INSTALLATION
Interactive video for CAVES and other immersive environments.
An interactive, immersive, and cinematic gaming environment draws users into the haunting memories of ordinary American soldiers who became torturers in the course of serving their country. This project about human rights foregrounds veterans testimonies of US military enhanced interrogation practices and human rights abuses during the Iraq War, often by young and ill-trained soldiers who never entered the military to become torturers and still find themselves struggling to reconcile the activities they were asked to do. By filmmaker Roderick Coover, writer Scott Rettberg, computer artist/researcher Daria Tsoupikova, and computer scientist Arthur Nishimoto. Based on original research by political scientist, John Tsukayama.
WINNER! Electronic Literature Organization's Best Creative Work Award 2016.
Featured at ISEA 360 Degree Gallery (Hong Kong), DH2016 Krakow, SIGGRAPH, IEEE, HASTAC, Oslo Human Rights Film Festival and elsewhere!
• View: PDF description/Press Page.
• View Sample
• Read Pat Badani's Review and Interview in N-Media.
THREE RAILS LIVE
Combinatory Narrative Video and Video Installation
A combinatory narrative film by Roderick Coover, Scott Rettberg and Nick Montfort. Running continuously, the system never generates the same narrative in the same order twice, but nevertheless produces a coherent holistic story of a man's late search for meaning among the detritus of his life and environment.
Exhibited at the Bibliotheque National de France and numerous other international venues.
CATASTOPHE TRILOGY (KATASTROFETRILOGIEN).
Video and Installation Video Loops
This cross-cultural trilogy calls upon histories of deadly volcanic ash, great floods, and the plague to tell stories of present day longing, anxiety, and environmental change. A CRChange Production.
In LAST VOLCANO, a woman offers a fragmented account of a deadly volcanic cloud to a friend. In
RATS AND CATS:: KATTER OG ROTTER, an international telephone date between an American and a Norwegian goes veers toward histories of the black death and goes terribly wrong. In
NORWEGIAN TSUNAMI, a Scot and a Norwegian share a cigarette break on an oil rig in the North Sea at a wrong moment.
Internationally exhibited. Published in Hyperrhiz: New Media Cultures Vol. 12.
CANYONLANDS: EDWARD ABBEY IN THE GREAT AMERICAN DESERT
Interactive Cinemascape (Unknown Territories Series).
Follow the writings of Edward Abbey, whose books such as Desert Solitaire and The Monkey Wrench Gang transformed how people thought about the arid American West, and return to landscapes he once wrote about.
CANYONLANDS: EDWARD ABBEY AND THE GREAT AMERICAN DESERT
Documentary Film (Unknown Territories Series). 50mins.
Ken Slieght, Katie Lee, Jim Stiles and others discuss transformations taking place in the American Southwest in relation to Edward Abbey's writings and legacy.
VOYAGE INTO THE UNKNOWN.
Interactive Landscape (Unknown Territories Series)
Join John Wesley Powell on the 1869 exploring expedition of the uncharted waters of the Colorado River.
ABOUT THE UNKNOWN TERRITORIES SERIES
Unknown Territories combines interactive environments and nonfiction video to explore spatial representation, narratives of exploration and land use. Voyage Into The Unknown retraces John Wesley Powell's exploration and representations of the Colorado River, which began in 1869. Then, following the works of author Edward Abbey, Canyonlands visits the contemporary Canyonlands of the Colorado River Basin to encounter a landscape transformed by development, park preservation and dams. The project was made possible with support from the LEF Foundation, the University of California, California State University and Temple University. Visual research and film production was followed by installations and screenings in numerous venues as well as a screening tour to communities in the arid American West.
OTHER DOCUMENTARY, VISUAL RESEARCH AND SPATIAL PROJECTS
VERITE TO VIRTUAL: CONVERSATIONS ON THE FRONTER OF DOCUMENTARY ARTS AND VISUAL ANTHROPOLOGY. 2007.
A documentary DVD that explores ways of building bridges between practices of the social sciences (anthropology, communication), the humanities (philosophy, cultural studies, cinema studies), and the arts (documentary film, interactive media, performance). Distributed by Documentary Educational Resources.
Interactive Computer Installation at the Museum of the American Philosophical Society at Independence Hall layering hidden histories, experimental mapping, story, and exploration of a three-block area of Philadelphia around Independence Hall.
THE LANGUAGE OF WINE: AN ANTHROPOLOGY OF WORK WINE AND THE SENSES. 2007.
DVD available on Amazon.
Blending ethnography and eco-poetics, this documentary follows terms of winemaking in Bourgogne
to unfold ways they are used to express fundamental life issues and cultural conditions.This film was first screened with live orchestration in 2003 at the University of California San Diego and the University of Chicago.
CULTURES IN WEBS: HYPERMEDIA AND THE DOCUMENTARY IMAGE. 2003
An interactive CD-ROM. Distributed by Eastgate Systems. A pioneering approach to documentary arts and visual research, the CD presents original photographic and video documentary projects, including The Harvest (see below) and Concealed Narratives (see below). (The CD-Rom is available from Eastgate for pre-HTML5 browsers only)
THE HARVEST. 1999.
An interactive multimedia study of a wine harvest at the vineyards of A&P de Villaine in Bourgogne and one of the first to offer a scrolling approach to the photo essay and storyboard. The work was originally installed in 1999 and a version is published in Cultures in Webs in 2003.
CONCEALED NARRATIVES. 1996/2003.
One of the earliest interactive documentaries, Concealed Narratives was filmed in Ghana 1992-1993, in the year following the formation of its Fourth Republic under then president-elect J.J. Rawlings. The work concerns ways political narratives are concealed within imagery and performance. It was first developed in Macromind Director and Storyspace. It was published in HTML form in Cultures In Webs.
OTHER COLLABORATIVE WORKS
THE THEORY OF TIME HERE.
Digital Video. DVD. 7 Minutes. Distributed by The Video Data Bank, Chicago.
Created by Roderick Coover with writer Deb Olin Unferth, this work explores the speaking clock and its proverbial voice. Its repetitive, calming tone distracts from the fact that it represents a marriage of the two most inescapable and oppressive authorities—-technology and time. Featured at the Klein Gallery, Deluge Contemporary Art Gallery, 17 Days Traveling Exhibition, Antimatter Film Festival, Flint Institute of Arts, and Digital Arts Conference Gallery, among others. Date of Publication 2009. Premiere 2007.
SOMETHING THAT HAPPENED ONLY ONCE.
Animated Panorama. DVD. 23 minutes.
Created by Roderick Coover with writer Deb Olin Unferth and Dutch singer Jodi Gilbert, Something That Happened Only Once is panoramic work recorded in Coyocan Plaza, Mexico City. The work blends the actions of actors and non-actors in the natural setting on a busy Saturday afternoon. The work is created through layers of photography, songs, and found sounds. Deb Olin Unferth's lyrics are adapted to music by the Dutch singer Jodi Gilbert who is joined in the performance by Dutch saxophonist, Michael Moore. Featured at AMC SIGGRAPH, Krannert Museum and elsewhere. Premiere: 2007.
CURRENCY: FOUR EXPERIMENTS IN THE DIGITAL POEM.
Videos for mobile media and YouTube.
Co-created with writer Nick Monfort and screened in numerous venues worldwide.
Collaborative digital video poem.
A collaborative digital poem created by Roderick Coover and Nick Montfort. Created through rigid constraints, the process resulted in a series of layered images an couplets in a loop for a video wall installation at Roger Williams College, RI. View.
COLLABORATIONS AND ORGANIZATIONS
Collaboration is a central part of my work. I work with writers, computer scienists, researchers and fellow artists. My work is carried out under various solo and collaborative organizations, LLCs and publishing groups. Some of the most pominent are:
- UNKNOWNTERRITORIES.ORG is a project space designed by Roderick Coover. The works are meeting points two of more ways of working -- of art, of cinema, of information technologies, of humanities, of sciences, of spatial practices, of storymaking.
- Chouette Collective LLC is a cultural industries & activities collaboratory of Roderick Coover and Catherine Peyrot Des Gachons.
- CRChange is the art production collaboratory LLC of Roderick Coover and Scott Rettberg.
- Toxi•City, Hearts and Minds, and Catastrophy Trilogy are produced by Roderick Coover and Scott Rettberg.
- Currency is a collaboration with writer Nick Montfort.
- Three Rails Live is a three-way collaboration between Rod, Scott and Nick.
- Canyonlands was created in collaboration with literary scholar, poet and river guide, Lance Newman.
- Something That Happened Only Once and The Theory of Time Here were created in collaboration with author Deb Olin Unferth. Something That... also included collaboration with sound artist Jodi Gilbert and others.
- Switching Codes is an edited book collaboration with scholar, Thomas Bartscherer.
- Digital Imaginaries is an edited book collaboration with scholar, Charles "Sandy" Baldwin.
PRIMARY INSTITITIONAL LINKS
- Temple University MFA Program in Film and Media Arts
- DAEP Certificate Program in Documentary Arts and Ethnographic Practice (Founding Director)
- ELO Electronic Literature Organization (ELO2015 Arts Director)
- ISEA (Inter-Society for the Electronic Arts)
- CAA College Arts Assocation
- IVSA International Visual Sociology Association (Executive Board 2011-14)
- CMS Cinema and Media Studies
- UFVA University Film and Video Association
- SVA Society for Visual Anthropology
- AGA American Association of Geography
TOXI•CITY. Combinatory Film.
This combinatory narrative generates a new feature-length film each time it is shown. Interwoven lives unfold near industrial landscapes that have been transformed by sea-level rise. Filmed in ultrawide panoramic form for installation, HD and 4K projection. By Roderick Coover and Scott Rettberg. A CRChange Production.
Exhibited internationally at venues in Barcelona, Bergen, Chicago, Milwaukee, Paris, Philadelphia, Providence and other international venues.
THE ALTERING SHORES
A visual research project exploring shorelines of The Delaware River Estuary in the mid-Atlantic USA, the Thames River Estuary and English Channel in the UK and the Camargue in France. The project crosses fields of the arts, humanities and sciences both to examine contemporary conditions and to speculate on impacts of climate change on these industrial/post-industrial shores.
A comparative exploration of shorelines of the Delaware Estuary in the eastern USA and the Kent County Coast including the Thames Estuary in the UK derived from walking and boating the differing post-industrial landscapes. Estuaries was installed as a 20' print in the exhibition Placing the Golden Spike: Landscapes of the Anthropocene (Inova Museum, Milwaukee, 2015) and as an artist book in the exhibition, Sensing Change (Chemical Heritage Museum, Philaelphia, 2013-2014).
THE CHEMICAL MAP
This map indicating over 200 active petro-chemical industries and clean-up sites in the Delaware Estuary. Available in open source (Drupal) and through Google Maps.
THE ALTERING SHORES
Forthcoming book, 2019. Offing a critical exploration of the Delaware Estuary. The book is complemented by an mobile media explorers tool.
SWITCHING CODES: Thinking Through Digital Technology In The Humanities and Arts. Edited by Roderick Coover and Thomas Bartscherer (University of Chicago Press).
ESSAYS IN PRINT, WEB AND INTERACTIVE MEDIA
Includes essays in journals such as American Anthropologist, Visual Studies, and Film Quarterly as well as books edited by Lucien Taylor, Lisa Barbash, Eric Margolis, Luc Pauwels, Sarah Pink, Karen Beckman, Liliane Weissberg, and Sharrona Pearl, among others.
Select essays and artist papers
- "Ambiguity, Cinema and the Digital Documentary Image." Images, Ethics, Technology. Edited by Sharrona Pearl. New York and London: Routledge Press. 2015. Read Sample.
- "Visual Research And The New Documentary." Studies in Documentary Film, 6.2. Winter 2013. Read sample.
- "Picturing the Great Unknown: John Wesley Powell and the Divergent Paths of Art and Science in the Representation of the Colorado River and Utah Canyonlands." Writing With Photography. Edited by Liliane Weissberg and Karen Beckman. Minneapolis: University of Minnesota Press, 2013. Read Sample.
- "Digital Technologies, Visual Research and the Non-fiction Image." Advances in Visual Methodology. Edited by Sarah Pink. London: SAGE Publications, Inc. 2012. Read sample.
- "The Digital Panorama and Cinemascapes." Switching Codes; Thinking Through Digital Technologies In The Humanities And Arts. Edited by Thomas Bartscherer and Roderick Coover. Chicago: University of Chicago Press. 2011: 199-217. Read sample.
- "Replace: The Embodiment Of Virtual Spaces." Jeffrey Shaw, Sarah Kenderdine, and Roderick Coover. Switching Codes; Thinking Through Digital Technologies In The Humanities And Arts. Edited by Thomas Bartscherer and Roderick Coover. Chicago: University of Chicago Press. 2011: 218-237. Read sample.
- A Dialogue about the Desert. Roderick Coover, Larry McCaffery, Lance Newman and Hikmet Loe. Electronic Book Review. February, 2010. Read sample.
- "On Vérité to Virtual: Conversations on the Frontier of Visual Anthropology and Documentary Mediamaking." Journal of Visual Studies. Fall 2009. Read sample.
- "Le panorama digital et l’image documentaire aujourd’hui : quand la transgression d’un postulat naturaliste crée l’innovation." Ethnographiques. Summer, 2008. Sample.
- "Interactive Media And The Construction(S) Of Memory In Nonfiction Film." In The Cinema Of Robert Gardner, edited by Ilisa Barbash and Lucien Taylor. Oxford and Gordonsville: Berg Publishers/ Palgrave Macmillan. 2008. Read sample.
- “Using Digital Tools In Cross-Cultural Research Analysis And Representation.” Journal of Visual Studies. Summer 2004. Read sample.
- "Worldmaking, Metaphors, And Montage In The Representation Of Cultures: Cross-Cultural Filmmaking And The Poetics Of Robert Gardner's Forest Of Bliss." Visual Anthropology 14(4), 2001.
ABOUT THIS WEBSITE
This site features solo and collaborative works by the artist Roderick Coover. The works featured were created between 1996-present. These works include experimental and interactive documentary projects, narrative projects, and hybrid works using time-based media such as film and video. They also include
interactive landscapes, photographic series, and publications.
Here are some dominant themes: Spatial practice is explored across these works both in form and content -- works such as Hearts and Minds, Toxi•City, Catasthrophe Trilogy and Something That Happened Only Once use experimental forms of panorama and immersion to explore narrative constructions of space and story. Works such as Three Rails Live, Toxi•City, Currency and Theory of Time Here experiment in uses of temporal structures like combinatory filmmaking, Oulipian editing and montage, while others like Estuaries, The Unknown Territories Series, and Cultures In Webs use scrolling interactive environments to explore how places are imagined, encountered and used.
Creative approaches to the discourse of climate change and industrialization are explored in the combinatory narrative projects Toxi•City and Three Rails Live, in the research-based, interactive works Chemical Map and Estuaries, and in the animated architecture project, Ben Franklin at the Lighthouse. Broader questions of land use, landscape and senses of place are central to the Unknown Territories Projects, Inside/Outsie and the experimental ethnography, The Language of Wine. Those works and The Catastrophe Trilogy contribute to creative discourse in eco-poetics.
Memory, place and story are central theme in Estuaries, Hearts and Minds, Something That Happened Only Once, and The Harvest. Relationships between memory and history are explored in The Catastrophe Series, Voyage Into The Unknown, and Canyonlands. Time, technological authority and spatial practice is the subject of several works including The Theory Of Time Here and the book Switching Codes.
Three Rails Live, Toxi•City, Currency, Something That Happened Only Once, Theory of Time Here, and the Catastrophe Trilogy are art installations and videos exploring story, translation and the stucture of visual and verbal expression, while documentary works on these themes of language and expression include The Language of Wine and Cultures In Webs.
Documentary arts, ethnography and visual research techniques run throughout the projects -- both fiction and nonfiction, and they are central the innovative documentary works Hearts and Minds, Unknown Territories, Estuaries, Language of Wine, Cultures In Webs and The Harvest. Documentary imagery is blended creative fictions and other imagery in the narrative works. Issues of documentary representation and visual research are critically addressed in Verite To Vitual: Conversations on the Frontier of Documentary Film and Anthropology and in many of the writings.
Critical reflection upon approaches to experimental digital methods including combinatory filmmaking, installation, collaboration and interdisciplinarity that central to all these works are discussed at length through writings along with other reflections on film, art, and key-words of art-research practices.
Roderick Coover is co-director of the Chouette Collective. Individual Works not otherwise under commercial distribution are ©Chouette Collective LLC.
ABOUT RODERICK COOVER
Roderick Coover (b. 1967) is the creator or co-creator of works of digital, interactive and emergent cinema and digital arts such as Toxi•City, Hearts and Minds: The Interrogations Project, and The Theory of Time. He is also the maker of documentary films and interactive, documentary research projects such as The Unknown Territories Project, From Verite to Virtual: Conversations On The Frontiers Of Anthropology And Documentary Film, The Language of Wine: An Anthropology of Work Wine And The Senses and Cultures In Webs: Working In Hypermedia With The Documentary Image. His works are designed for the screen, interactive media, database cinema, photographic installation, online multimedia publication, gaming platforms and other Web media, and he has been a pioneering creator of some of the earliest forms of interactive cinema and digital, ethnographic arts. His works -- both of fact and fiction -- blend arts and research, and blur conventional, disciplinary boundaries. His work is internationally exhibited and reviewed, and he has received Fulbright, Mellon, Whiting and LEF awards, among others.
Professor of Film and Media Arts at Temple University, Philadelphia, Roderick Coover is Founding Director of the duel MFA-PHD Program in Visual Research and Documentary Arts, Founding Co-Director of the MA in mediaXarts:Cinema for New Technologies and Environments and Founding Director of the Graduate Certificate Program in Documentary Arts and Ethnographic Practices. He holds degrees from the University of Chicago (PhD 1999), Brown University (MA 1994) and Cornell University (1989).
MFA at FMA. Making Cinema
Temple University Graduate Master of Fine Arts Program
The Master of Fine Arts program in Film and Media Arts at Temple University is the country’s foremost program in alternative film and video. The program offers arrays in Narrative and Documentary Cinematic Arts, Media Arts and Screenwriting. We train new generations of makers who seek to challenge the current practices of mainstream arts and media. We see the MFA program as a creative laboratory for producing works of social significance and artistic merit and for exploring the nature of contemporary knowledge in the field, including the emergence of new technologies and the connections between theory and practice. Read More.
PhD - MFA in Documentary Arts and Visual Research
Founding Director, Roderick Coover
The duel degree MFA-Ph.D. Program in Documentary Arts and Visual Research (DAVR) is designed for students who have completed an MFA in Film and Media Arts or a related field and wish to expand their work through a critically engaged project. Limited to 1 or 2 students per year, the program is aimed at highly advanced students with strong production skills and a rigorous research plan. Dissertation projects may be developed using emerging and multimedia tools and approaches. Students apply in their final year of their MFA or after their MFA is completed. Students interested in a duel degree are recommended to apply first to the MFA program and to consider pursuing the Certicate en route to developing their doctoral proposal.
Graduate Certificate in Documentary Arts and Ethnographic Practice (DAEP)
Founding Director, Roderick Coover
Temple University’s Graduate Certificate Program in Documentary Arts and Ethnographic Practice (DAEP) is a 13-credit interdisciplinary program that involves faculty and courses in the Center of the Arts, the College of Liberal Arts and the School of Media and Communication. The DAEP program’s philosophy is to promote a broad and critical use of diverse media tools in the study and representation of culture(s). The program is open to students in M.F.A. and Ph.D. programs university-wide and it is ideally suited for students who plan to incorporate visual studies, ethnographic methods and documentary practices in their artistic and scholarly projects. For Temple University PhD and MFA students only. Read More.
MA in MediaXarts: Cinema for new technologies and environments
Founding Directors, Roderick Coover and Sarah Drury
The one-year Master of Arts program in Film and Media Arts at Temple University gives students the opportunity to work with leading artists to learn methods of making works for museums, public spaces, interactive cinema, mobile media, kinetic sculpture, performance, projection and the Web. Students also engage in interdisciplinary practices -- making art through collaborations across cinematic fields, theater, fine arts and fields of visual research. Now accepting students.
On Sabbatical Leave 2016-2017.
FMA 8244 Experimental Methods
Students explore theories and practices of creative expression using analog and digital approaches to motion-image production for cinema, arts and emerging forms. This introductory graduate level course welcomes students from diverse fields. Through projects, workshops and collaborative participation in a blog and public exhibition, students integrate methods of film, digital arts, visual arts, and literary arts. Weekly creative and technical explorations are coupled with readings from diverse fields designed to provoke discourse on cinematic practices.
FMA 8461 Documentary Arts and Visual Research, Workshop
This course brings together makers and researchers to foster original nonfiction projects. Graduate students from across the university in such as fields of film, video, photography, anthropology, history, mass media and communication, ethnic studies, women's studies, and philosophy join together in developing new ways of conceptualizing documentary arts. Students examine methods, language, ethics, and processes of nonfiction visual research. All students contribute to written discussion boards and they produce creative and/or critical final projects. Students learn ways to work together across disciplines and collaborative projects are encouraged. Students are expected to complete highly developed papers and projects that are directly related to their anticipated thesis topics, methods, and goals. Graduate Students Only.