CURRICULUM VITAE

RICHARD M. CHALFEN

Department of Anthropology
Temple University
Philadelphia, PA 19122
(215) 204-1413
rchalfen@nimbus.temple.edu

The Mariner, Unit 204
300 Commercial Street
Boston, MA 02109
(617) 227-1534
chalfeka@hugse1.harvard.edu

EDUCATION:

1974 Ph.D. in Communications, Graduate School of Arts & Sciences, University of Pennsylvania, Philadelphia, Pennsylvania
1967 M.A. in Communications, Annenberg School of Communication, University of Pennsylvania, Philadelphia, Pennsylvania
1964 B.A. in Anthropology, The College, University of Pennsylvania, Philadelphia, Pennsylvania

EMPLOYMENT:

1993-95 Professor of Anthropology, Temple University Japan, Minami-Osawa, Tokyo
1993-95 Visiting Professor of Anthropology, Department of Sociology, University of Bologna, Bologna and Viterbo, summer school
1989- Professor of Anthropology, Department of Anthropology, Temple University, Philadelphia, Pennsylvania
1981-89 Associate Professor of Anthropology, Temple University
1978-81 Chairman, Department of Anthropology, Temple University
1974-81 Assistant Professor of Anthropology, Temple University
1972-74 Adjunct Faculty and Instructor, Department of Anthropology, Temple University
1969-73 Research Associate, Philadelphia Child Guidance Clinic, associated with the University of Pennsylvania, Department of Psychiatry
1967-69 Instructor in Communications, Department of Literature and Language, Drexel University, Philadelphia, Pennsylvania
1968-69 Bio-Documentary Film Consultant, Philadelphia Child Guidance Clinic, Philadelphia, Pennsylvania
1968-69 Instructor in Photo-Serigraphy, Cheltenham Art Center, Philadelphia, Pennsylvania
1967-68 Film Research Consultant, Community Mental Health Center, Pennsylvania Hospital, Philadelphia, Pennsylvania

PUBLICATIONS: Books

1986 Tanulmanyok Az Amator Foto Visualis Anthropologiajarol. Budapest: Institute for Culture
1987 Snapshot Versions of Life. Bowling Green, OH: The Popular Press
1991 Turning Leaves: The Photograph Collections of Two Japanese American Families. Albuquerque, NM: University of New Mexico Press
1996 Sorrida, Prego! La Costruzione visuale della vita quitidiana. Translation of Snapshot Versions of Life by Andrea   Pitasi and Carlotte Faciolli. Milan, Italy: FrancoAngeli Press.
1997 Through Navajo Eyes--An Exploration in Film Communication and Anthropology. (revised 2nd edition)   Albuquerque, NM: University of New Mexico Press (with John Adair and Sol Worth).


PUBLICATIONS: Journal Articles and Book Chapters

1. 1971  Reaction to Socio-Documentary Film Research in a Mental Health Clinic (with Jay Haley). American Journal of   Orthopsychiatry 41(1):91-100.
2. 1972a    How Groups in Our Society Act When Taught to Use Movie Cameras (with Sol Worth), Chapter 15 in Through  Navajo Eyes -- An Exploration in Film Communication and Anthropology. Bloomington: Indiana University Press,   pp. 228-251.
3. 1972b A Sociovidistic Approach to Film Communication: Theory, Methods and Suggested Fieldwork. Proceedings of  the Oberlin Film Conference, Oberlin, Ohio, pp. 36-60.
4. 1973 Cinema NaivetŽ: A Sociovidistic Approach to the Home Mode of Visual Communication. PIEF Newsletter  4(3):7-11.
5. 1974a Review of Akeret's Photoanalysis. Studies in the Anthropology of Visual Communication 1(1):57-60.
6. 1974b  The Teaching of Visual Anthropology at Temple (with Jay Ruby). SAVC Newsletter 5(3):5-7
7. 1975a     Introduction to the Study of Non-Professional Photography as Visual Communication, Folklore Forum 13:19-25.
8. 1975b   Review: Ricky and Rocky (film). American Anthropologist 77(2):466-69.
9. 1975c  Cinema Naivete: A Study of Home Moviemaking as Visual Communication, Studies in the Anthropology of Visual  Communication 2(2): 87-103. Also as: CinŽma NaivetŽ: A Csaladi filmezŽs mint vizualis kommunikacio.  Tanulmanyok Az Amator Foto Visualis Anthropologiajarol (1986), Budapest: Institute for Culture.
10. 1976  Studies in the Home Mode of Visual Communication. Working Papers in Culture and Communication 1(2):39-61.
11. 1977a   Human Images: Teaching the Communication of Ethnography. Anthropology and Education Quarterly 8(1):8-11.
12. 1977b   Perspectives on Children's Filmmaking: The Minnewaska Symposium. Film Library Quarterly 10(1-2):60-65.  Appeared as Working Paper No. 23. Bericht von einem Symposium uber von Kindern gedrehte Filme, for the  1977 International Conference on Youth and Film, Ludwigshaften, Germany.
13. 1978a   Which Way Media Anthropology? Journal of Communication 28(3):208 -214.
14. 1978b  Review: Growing Up at Paradise (film). American Anthropologist 80(3):765-766.
15. 1978c  Review: City Families--London and Chicago. Studies in the Anthropology of Visual Communication 5(1):63-65.
16. 1979a  Obituary: Sol Worth 1922-1977. American Anthropologist 81(1): 91-93.
17. 1979b The Contributions of Sol Worth to Visual Anthropology. Temple University Working Papers in Culture and  Communication 2(2):2-20.
18. 1979c Photography's Role in Tourism: Some Unexplored Relationships. Annals of Tourism Research 6(4):435-447.
19. 1979d  Review: Our Kind of People--American Groups and Rituals. American Anthropologist 81(2):476-477.
20. 1979e  Review: When Two or More are Gathered Together. American Anthropologist 81(2):476-477.
21. 1979f  Review: A Wedding in the Family (film). American Anthropologist 81(1):210.
22. 1980a  Tourist Photography. Afterimage 8(1&2):26-29. Also as: FŽnykŽpezo Turistak. Tanulmanyok A: Amator Foto  Vizualis Anthropologiajarol (1986), Budapest: Institute for Culture.
23. 1980b  Review: A Paradigm for Looking--Cross Cultural Research with Visual Media. Journal of Communication   30(1):237, 239.
24. 1980c  Review: Home Movie--An American Folk Art (film). Journal of American Folklore 93(368):245-246.
25. 1981a  Redundant Imagery: Some Observations on the Use of Snapshots in American Culture. Journal of American  Culture 4(1):106-113. Also as: BobeszŽdu KŽpek: MegfigyelŽsek Az Amerikai Kultura FŽnykŽphasznalatarol Tanulmanyok Az Amator Foto Vizualis Anthropologiajorol (1986), Budapest: Institute for Culture.
26. 1981b A Sociovidistic Approach to Children's Filmmaking: The Philadelphia Project. Studies in Visual Communication   7(1):2-33.
27. 1982  Home Movies as Cultural Documents. Film/Culture: Explorations of Cinema in Its Social Context. Sari Thomas   (ed.), Metuchen, N.J.: Scarecrow Press, pp. 126-138. Also as: A Csaldi Film mint Kulturalis Documentum.   Tanulmanyok Az Amatar Foto Vizualis Anthropologiajarol (1986), Budapest: Institute for Culture.
28. 1983 Exploiting the Vernacular: Studies in Snapshot Photography. Studies in Visual Communication 9(3):70-84. Also as Benszulott Tajak: Tanulmanyok Az Amator FŽnykŽprol. Tanulmanyok Az Amator Foto Vizualis  Anthropologiajarol (1986), Budapest: Institute for Culture.
29. 1984a  Tribute to Richard Cross, 1950-1983. SAVICOM Newsletter 11(2): 9-11.
30. 1984b  Review: The New Photography. Studies in Visual Communication 10(3):89-91.
31. 1984c  The Sociovidistic Wisdom of Abby and Ann: Toward an Etiquette of Home Mode Photography. Journal of    American Culture 7(1-2):22-31. Also as: Abby Žs Ann Szociovidisztikua BolesessŽge: A Csaladi FŽnykŽpezŽsEtikettjŽnek KŽrdŽsehez. Tanulmanyok Az Amator Foto Vizualis Anthropologiajarol (1986), Budapest: Institute for Culture.
32. 1985  An Alternative to an Alternative--Comment on Uzzell. Annals of Tourism Research 11(3):103-106.
33. 1986a  Home Movies in a World of Reports: An Anthropological Appreciation. Journal of the University Film and Video  Association 38 (3-4):102-110.
34. 1986b Media Myopia and Genre-Centrism: The Case of Home Movies. Journal of the University Film and Video   Association 38 (3-4): 58-62.
35. 1988a  Home Video Versions of Life--Anything New? Society for Visual Anthropology Newsletter 4(1):1-5
36. 1988b Creating DIVA: A Video Journal--A Call for Response. Commission on Visual Anthropologv Newsletter, May,   pp. 44-48.
37. 1988c  Japanese American Family Photography: A Brief Report of Research on Home Mode Communication in  Cross-Cultural Contexts. Visual Sociologv Review 3(2):12-16.
38. 1988d  Navajo Filmmaking Revisited: Problematic Interactions. Native North American Interaction Patterns, Regna   Darnell and Michael Foster (eds.), Ottawa: Canadian Museum of Civilization, Canadian Ethnology Service,  Mercury Series Paper 112, pp. 168-185.
39. 1988e  Selective Index of Visual Anthropology Newsletters--1970-1983 (with Anja Dalderup). Society for Visual   Anthropology Newsletter 4(2):34-40.
40. 1989a  Photography: As Amateur Medium. The International Encyclopedia of Communications, New York: Oxford    University Press, 3:281-5.
41. 1989b  Review: Beyond Words--Images from America's Concentration Camps. Visual Anthropology 1(4):478-81.
42. 1989c  Review: Family Gathering (film). American Anthropologist 91(2):525-27.
43. 1989d  Review: Bordertowns. American Anthropologist 91(4):1085-86
44. 1989e Native Participation in Visual Studies: From Pine Springs to Philadelphia. Eyes Across the Water, Robert M.  Boonzajer Flaes (ed.), Amsterdam: Het Spinhuis, pp. 71-79.
45. 1990   Review: Consider Anything, Only Don't Cry and A Song of Air (films). Visual Anthropology 4(1):92-95.
46. 1992a  Picturing Culture Through Indigenous Imagery: A Telling Story. Film As Ethnography, Peter Crawford and David  Turton (eds.), Manchester: University of Manchester Press, pp. 222-241.
47. 1992b Review of 1992 Manchester Conference. Anthropology Newsletter, (December) 33(9):15.
48. 1993a   Reviewing DIVA: A Video Journal for Visual Anthropology. The 1992 Yearbook for Visual Anthropology (Paolo Chiozzi, ed.), pp. 101-15.
49. 1993b Visual Sociology Conference in Bologna. Anthropology Newsletter (September) 34(6): 45-6.
50. 1993c  Fotografia e Turismo. Sociologia Urbana e Rurale, F. Angeli Publisher, Milan, 15(41): 27-41 (translation of:   Photography's Role in Tourism: Some Unexplored Relationships, Annals of Tourism Research 6(4): 435- 447  (1979).
51. 1994   Review: Anthropology and Photography. Man 29(2): 484-5.
52. 1995a  Japanese American Family Photography. Sensei 1(2): 25-29 (revision of 1988c).
53. 1995b  Preface. Sorrida, Prego! La Costruzione visuale della vita quitidiana. (Italian translation of Snapshot Versions of  Life) Milan: FrancoAngeli.
54. 1995c  L'Album dei Ricordi Studio de Anthropologia Visual dei Giapponesi d'America. Sociologia Urbana e Rurale,  17(46): 27-41 (translation of 1988c "Japanese American Family Photography: A Brief Report of Research on  Home Mode Communication in Cross-Cultural Contexts").
55. 1996a    Photography. The Encyclopedia of Cultural Anthropology, edited by David Levinson and Melvin Ember, New  York: Henry Holt and Co., pp. 926-31.
56. 1996b   Foreword. 'Appropriating Images': The Semiotics of Visual Anthropology by Keyan Tomaselli, Hoejbjetg,    Denmark: Intervention Press.
57. 1996c   Review of Lesotho Herders Video Project by Chuck Scott in Visual Anthropology 9(1): 85-.87.
58. 1997a   Family Photography: One Album is Worth a 1000 Lies. Sociology -- Exploring the Architecture of Everyday Life  2/e by David M. Newuman, Thousand Oaks, CA.: Pine Forge Press, pp. 269-78.
59. 1997b Interpreting Family Photography as Pictorial Communication. Image- based Research: A Sourcebook for    Qualitative Researchers (London: Farmer Press Ltd. (in press).
60. 1997c   Doubutsu no Haka no Shashin. Proceedings, ("I sentieri della sociologia visuale"), International Visual Sociology  Association Meetings, Bologna, Italy (in press).
61. 1998   Presenting Images. IVSA (International Visual Sociology) Newsletter (with John Grady) (in press)
62. 1998  Video Intervention/Prevention Assessment (VIA): An Innovative Methodology for Understanding the Adolescence Illness Experience (with M. Rich and S. Lamola) in Journal of Adolescence Health (in press)
63. 1998  Family Photograph Appreciation: Dynamics of Medium, Interpretation and Memory. Communication and     Cognition (in press).

REPORTS:

1979   A Study of Polavision and Home Moviemaking. Commissioned and prepared for the Polaroid Corporation, Cambridge, Mass.
1984   Development of Video Exchange. Prepared for Mellon Foundation and the Center for Development of the Liberal Arts.
1985   Handbook for Video Exchange Procedures. Prepared for the Mellon Foundation and the Center for Development of  the Liberal Arts, Temple University.
1992   Impact of Electronics on the Youth Market. Commissioned and prepared for the Eastman Kodak Company, Rochester, New York.

INVITED LECTURES AND COLLOQUIA:

Papers have been presented at the Annual Meetings of the American Anthropological Association, the American Culture Association, the Eastern Sociological Society, the Midwest American Culture Association, the International Visual Sociology Associaltion.

Invited lectures have been given at Teachers College, Columbia University; Anthropology and Communications Departments, Ohio State University; Visual Scholars Program, University of Iowa; Anthropology Colloquium, College of Santa Fe, New Mexico; Anthropology Clubs, West Chester State College, Pennsylvania and Burlington County College, New~Jersey; International Center for Photography, New York; Japanese American Culture and Community Center, Los Angeles, California; Lowie Museum of Anthropology, Berkeley, California; Graduate School of Education, University of Pennsylvania; Department of Anthropology, University of Pennsylvania; Department of Sociology, University of Bologna; Department of Sociology, University of Padowa; Deparment of Photography, Maryland Institue of Art; Department of Sociology, Boston University; Harvard Graduate School of Education

Invited papers have been read during the Conference on Visual Anthropology, Philadelphia; the Conference on Film as Ethnography, Manchester, U.K.; the Conference on Visual Sociology and Visual Anthropology, Amsterdam; Conference on Culture and Communication, Philadelphia; the Conference on Native American Interaction Patterns, University of Alberta; the Conference on American Indian Images on Film, University of New Mexico; Symposium on Child-Made Films, New Paltz, N.Y., Oberlin Film Conference, Oberlin, Ohio, the Japanese Popular Culture Conference, Victoria, British Columbia, CA.

GRANTS RECEIVED AND FIELDWORK:

1996 Principal Investigator, Summer Research Fellowship, Temple University-- "Japanese Family Photography as Visual  Communication."
1996 Recipient, Faculty Grant-in-Aid of Research, Temple University -- "Japanese Family Photography as Visual Communication."
1993, 94 Principal Investigator, Center for East Asian Studies, Temple University "Japanese Family Photography as Visual Communication" ($4,300).

1992 Principal Investigator, Eastman Kodak Company -- "The Impact of Electronics on Youth Segments" ($36,000).

1989 Principal Investigator, Summer Research Fellowship, Temple University-- "A Critical Examination of Film Reviews Published in the American Anthropologist, 1965-85."

1988 Recipient, Faculty Grant-in-Aid of Research, Temple University -- "Completion of Monograph on Japanese American Photography."

1985 Recipient, Mellon Grant, Center for Development of the Liberal Arts, Temple University -- "Video Exchange Handbook."

1984a Recipient, Faculty Grant-in-Aid of Research, Temple University -- "Tourist Development Interviews."

1984b Recipient, Course Development Grant, Media Learning Center, Temple University -- "Anthropological Problems in Visual Production."

1983 Principal Investigator, Summer Research Fellowship, Temple University--"The Development of a Tourist Community: An Ethnohistorical Reconstruction."

1981a Recipient, National Science Foundation Science Faculty Professional Development Grant, SPI-8165005 -- "Social Science Film Production" ($29,600).

1981b Principal Investigator, Research Incentive Fund, Temple University-- "Pilot Study for an Ethnography of Navajo Film Communication" ($1,278).

1979a Recipient, Course Development Grant, Temple University-- "Sociovidistics."

1979b Principal Investigator, Polaroid Corporation. "A Study of Polavision and Home Moviemaking" ($7,200).

1978a Principal Investigator, Summer Research Fellowship, Temple University -- "Completion of a Research Documentary entitled: Context Film: The Navajo Film Themselves."

1978b Recipient, Faculty Grant-in-Aid of Research, Temple University -- "Completion of Research Film" ($1,550).

1978c Co-Principal Investigator, Research Incentive Fund Grant, Temple University -- "Pilot Study of an Ethnography of Visual Communication" (with Jay Ruby).

1975 Principal Investigator, Summer Research Fellowship, Temple University -- "Towards Ethnographies of Visual Communication."

1970-73 Principal Investigator, National Institute of Mental Health grant no. S-R01-MH17521-01,02,03 ($55,583.00). "Exploring Social Perception with Film" administrated by the Philadelphia Child Guidance Clinic.

1966-67 Research Assistant, National Science Foundation grant nos. GS 1038 and GS 1759. "The Use of Film in Cross-Cultural Communication."

 

VISUAL PRODUCTION:

Filmmaking:

1973 Produced and edited First Footage: Four Female Groups (40 min) and First Footage: Two Male Groups (21 min) -- two 16mm black and white films that illustrate comparative findings of socio-documentary film research with Philadelphia teenagers.

1967-72 Organized and directed groups of Philadelphia teenagers in their production of 16mm black and white sound films: What We Do On Saturdays On Our Spare Time, The Robberv, Don't Make A Good Girl Go Bad, WPFG-MI, God and The Life of Man.

1966 Wrote, directed and photographed a 16mm black and white sound film entitled For Ages 10 to Adult (with Ben Achtenberg).

 

Photoserigraphy:

1967,68 One man show, Annenberg School of Communication, University of Pennsylvania, Fall.

1968 Group show, Cheltenham Art Centre, Spring.

Photography:

1966 Group Show, West Philadelphia Free Library.

1965 One man show, Dennis Playhouse, Dennis, Mass.

1998 “Traditional Views.” One man show, Richard Cross Gallery, Temple University, Philadelphia, Penna.

MEDIA PARTICIPATION:

Magazines, newspapers:

"Memories -- Visual Anthropology: 'the upside of life"' by Robert Brothers' Temple Times, December 18, 1986.

"Smile, Yankee, and wave your hamburger" by Dick Pothier, The Philadelphia Inquirer, July 1, 1981.

"Snapshots Provide Study of Culture" by Debra Voisin, Albuquerque Journal (North), March 6, 1982.

"Home Movies: Biased Glimpses of Life" by Lewis Beale, Temple University Alumni Review 29(1):19-22, Summer, 1978.

"Home Movies Show More Than You See" by Paul Jablow, Philadelphia Inquirer, March 12, 1976.

"Story of American Culture Found in Family Pictures" by Robert Salgado, The Sundav Bulletin (Philadelphia), May 12, 1974.

 

Radio Interviews:

"Kodak Culture as Popular Culture" on Charlie Hardy's Popular Culture Show (funded by the Pennsylvania Humanities Council), WUHY, June 3, 1981.

"The First Philadelphia Home Movie Festival" on Fresh Air, UUHY, December 16, 1975.

Video Interviews:

"Anthropology and Home Media: The U.S. and Japan" at the National Institute of Media Education, Chiba, Japan, April 11, 1995.

 

PROFESSIONAL ACTIVITY:

Founder, Editor of Sensei: Temple Unversity Japan Faculty Publication, 1994-95.

President, Society for Visual Anthropology, 1989-91 (President-Elect, 1988-89).

Member, Board of Directors, American Anthropological Association, 1989-91.

Member, Commission on Visual Anthropology, IUAES, 1986 present.

Contributing Editor for the Society for Visual Anthropology (monthly column), Anthropology Newsletter, August, 1988-90.

Jury Member, Society for Visual Anthropology Film and Video Festival, American Anthropology Association, 1988-89, 1991-92.

Member, Board of Directors, Society for Visual Anthropology, March, 1986-92.

Staff Anthropologist, The Japanese American Family Album Project, National Endowment for the Humanities, Museum Exhibitions Project, 1985-87.

Jury Member, Fiction Films, American Film Festival, 1985.

Panelist, Media Grants, National Endowment for the Humanities, 1984, 1985.

Staff Anthropologist, The Japanese American Family Album Project, The Japanese American Culture and Community Center, Los Angeles, 1982-1983.

Advisory Board, Society for the Anthropology of Visual Communication, 1982-1986.

Research Associate, Anthropology Film Center, 1981-83.

Director and Coordinator, Master of Arts Program in Visual Anthropology, Department of Anthropology, Temple University, 1980-91; Co-Director, 1992-5.

Editor, Working Papers in Culture and Communication, 1976-82.

Book Review Editor, Studies in the Anthropologv of Visual Communication, January 1977-October 1979.

Consulting Editor, Studies in Visual Communication, September 1979-1985.

Director, The First Philadelphia Home Movie Festival, Temple University, March 11, 1976.

Co-Director, Conference on Culture and Mass Communication, Temple University, Philadelphia, March 22-24, 1979.

Director, Conference on Culture and Communication, Temple University, Philadelphia, March 13-15, 1975.

Secretary-Treasurer, Society for the Anthropology of Visual Communication, 1972-74.

Assistant Editor, Program in Ethnographic Film Newsletter, 1973-74.

Assistant Director, Conference on Visual Anthropology, Temple University, Philadelphia, March 1974.

 

ASSOCIATION MEMBERSHIPS:

American Anthropological Association

Society for Visual Anthropology

American Film Research Institute

International Visual Sociology Association

American Culture Association

Japan Society of Boston

 

January, 1998

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COURSES PREPARED TO TEACH:

American Culture
World Cultures
Human Images: An Approach from Communication
Introduction to Visual Anthropology
Anthropology Through Feature Films
Pictorial Lives: A Personal Anthropology
Visual Anthropology of Modern Japan
Indigenous Media
Anthropology of Mass Media
American Culture in Japan
Anthropological Problems in Visual Production
Methods in Culture and Visual Communication Fieldwork
Teaching of Anthropology
Anthropology of Home Media