Priya Joshi

Benedict Anderson. Imagined Communities. Reflections on the Origin and Spread of Nationalism. (1983) Revised Edition. New York: Verso, 1991.

Arjun Appadurai and Carol Breckenridge. Consuming Modernity: Public Culture in a South Asian World. Minneapolis: U of Minnesota P, 1995.

Erik Barnouw and S. Krishnaswamy. Indian Film. (1963) Second Edition. New York: Oxford UP, 1980. (o/p; in Reader)

Homi Bhabha, ed. Nation and Narration. New York: Routledge, 1990.

Jacky Bratton, et al., eds. Melodrama: Stage, Picture, Screen. London: BFI, 1994.

Christiane Brosius and Melissa Butcher, eds. Image Itineraries: Audio-Visual Media and Cultural Change in India. New Delhi: Sage, 1999. pp. 41-68.

Sumita Chakravarty. National Identity in Indian Popular Cinema, 1947-1987. Austin: U of Texas P, 1993.

Antonio Gramsci. Selections from Cultural Writings. Eds. David Forgacs and Geoffrey Nowell-Smith. Trans. William Boellhower. Cambridge: Harvard UP, 1985.

Fareed Kazmi. The Politics of India's Conventional Cinema: Imaging a Universe, Subverting a Multiverse. New Delhi: Sage Publications, 1999.

Marcia Landy, ed. Imitations of Life: A Reader on Film and Television Melodrama. Detroit: Wayne State UP, 1991.

Laura Mulvey. Visual and Other Pleasures. Bloomington: Indiana UP, 1989.

Ayaz Memon, ed. India 50: The Making of a Nation. Bombay: Book Quest, 1997.

Ashis Nandy, ed. The Secret Politics of Our Desires: Innocence, Culpability, and Indian Popular Cinema. New Delhi: Oxford UP, 1998.

Ashis Nandy. At the Edge of Psychology: Essays in Politics and Culture. New Delhi: Oxford UP, 1980.

Ashish Rajadhyaksha and Paul Willemen. Encyclopaedia of Indian Cinema. New revised edition. New Delhi: Oxford UP, 1999.

Parama Roy. India Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley: U of California P, 1998.

Stanley Tambiah. Leveling Crowds: Ethnonationalist Conflicts and Collective Violence in Sough Asia. Berkeley: U of California P, 1996. pp.

Overnight Reserves:

Wimal Dissanayake. Cinema and Cultural Identity: Reflections on Films from Japan, India, and China. Lanham: University Press of America, 1988.

Wimal Dissanayake and Malti Sahai. Raj Kapoor's Films. Harmony of Discourses. New Delhi: Vikas, 1988.

Wimal Dissanayake and Malti Sahai. Sholay, a Cultural Reading. New Delhi: Wiley Eastern, 1992.

Rachel Dwyer. All You Want is Money, All You Need is Love: Sex and Romance in Modern India. London: Cassell, 2000.

Sudhir Kakar. Intimate Relations. Exploring Indian Sexuality. New Delhi: Penguin, 1989.

Ritu Nanda. Raj Kapoor: His Life and His Films. Bombay: RK Studios, 1991.

Pfleiderer, Beatrix, and Lothar Lutze. The Hindi Film: Agent and Re-agent of Cultural Change. New Delhi: Manohar, 1985.

Madhava Prasad. Ideology of the Hindi Film: A Historical Construction. New Delhi: Oxford UP, 1998.

T.M. Ramachandran, ed. Seventy Years of Indian Cinema (1913-1983). Bombay: 1985.

Firoze Rangoonwalla. 75 years of Indian Cinema. New Delhi: Indian Book Co., 1975.

Bunny Reuben. Raj Kapoor. The Fabulous Showman: An Intimate Biography. New Delhi: Indus, 1995.

Aruna Vasudev. Frames of Mind: Reflections on Indian Cinema. New Delhi: UBSPD, 1995.

Aruna Vasudev and Philippe Lenglet, eds. India Cinema Superbazaar. New Delhi: Vikas Publishing House, 1983.

Ravi Vasudevan, ed. Making Meaning in Indian Cinema. New Delhi: Oxford UP, 2000.



home research teaching vitae	Books on Reserve at Moffitt Library 2-hour Reserves: Benedict Anderson. Imagined Communities. Reflections on the Origin and Spread of Nationalism. (1983) Revised Edition. New York: Verso, 1991. Arjun Appadurai and Carol Breckenridge. Consuming Modernity: Public Culture in a South Asian World. Minneapolis: U of Minnesota P, 1995. Erik Barnouw and S. Krishnaswamy. Indian Film. (1963) Second Edition. New York: Oxford UP, 1980. (o/p; in Reader) Homi Bhabha, ed. Nation and Narration. New York: Routledge, 1990. Jacky Bratton, et al., eds. Melodrama: Stage, Picture, Screen. London: BFI, 1994. Christiane Brosius and Melissa Butcher, eds. Image Itineraries: Audio-Visual Media and Cultural Change in India. New Delhi: Sage, 1999. pp. 41-68. Sumita Chakravarty. National Identity in Indian Popular Cinema, 1947-1987. Austin: U of Texas P, 1993. Antonio Gramsci. Selections from Cultural Writings. Eds. David Forgacs and Geoffrey Nowell-Smith. Trans. William Boellhower. Cambridge: Harvard UP, 1985. Fareed Kazmi. The Politics of India's Conventional Cinema: Imaging a Universe, Subverting a Multiverse. New Delhi: Sage Publications, 1999. Marcia Landy, ed. Imitations of Life: A Reader on Film and Television Melodrama. Detroit: Wayne State UP, 1991. Laura Mulvey. Visual and Other Pleasures. Bloomington: Indiana UP, 1989. Ayaz Memon, ed. India 50: The Making of a Nation. Bombay: Book Quest, 1997. Ashis Nandy, ed. The Secret Politics of Our Desires: Innocence, Culpability, and Indian Popular Cinema. New Delhi: Oxford UP, 1998. Ashis Nandy. At the Edge of Psychology: Essays in Politics and Culture. New Delhi: Oxford UP, 1980. Ashish Rajadhyaksha and Paul Willemen. Encyclopaedia of Indian Cinema. New revised edition. New Delhi: Oxford UP, 1999. Parama Roy. India Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley: U of California P, 1998. Stanley Tambiah. Leveling Crowds: Ethnonationalist Conflicts and Collective Violence in Sough Asia. Berkeley: U of California P, 1996. pp. Overnight Reserves: Wimal Dissanayake. Cinema and Cultural Identity: Reflections on Films from Japan, India, and China. Lanham: University Press of America, 1988. Wimal Dissanayake and Malti Sahai. Raj Kapoor's Films. Harmony of Discourses. New Delhi: Vikas, 1988. Wimal Dissanayake and Malti Sahai. Sholay, a Cultural Reading. New Delhi: Wiley Eastern, 1992. Rachel Dwyer. All You Want is Money, All You Need is Love: Sex and Romance in Modern India. London: Cassell, 2000. Sudhir Kakar. Intimate Relations. Exploring Indian Sexuality. New Delhi: Penguin, 1989. Ritu Nanda. Raj Kapoor: His Life and His Films. Bombay: RK Studios, 1991. Pfleiderer, Beatrix, and Lothar Lutze. The Hindi Film: Agent and Re-agent of Cultural Change. New Delhi: Manohar, 1985. Madhava Prasad. Ideology of the Hindi Film: A Historical Construction. New Delhi: Oxford UP, 1998. T.M. Ramachandran, ed. Seventy Years of Indian Cinema (1913-1983). Bombay: 1985. Firoze Rangoonwalla. 75 years of Indian Cinema. New Delhi: Indian Book Co., 1975. Bunny Reuben. Raj Kapoor. The Fabulous Showman: An Intimate Biography. New Delhi: Indus, 1995. Aruna Vasudev. Frames of Mind: Reflections on Indian Cinema. New Delhi: UBSPD, 1995. Aruna Vasudev and Philippe Lenglet, eds. India Cinema Superbazaar. New Delhi: Vikas Publishing House, 1983. Ravi Vasudevan, ed. Making Meaning in Indian Cinema. New Delhi: Oxford UP, 2000.