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WAVA is an archive resource
for people interested in the anthropology of visual communication.
It features out-of-print and unpublished materials useful for
teaching and research. We have secured permission to place works
on the web so that interested parties can download and use them.
WAVA was created and is maintained by the faculty and graduate
students in the graduate program in the anthropology of visual
communication at Temple University, Philadelphia, PA USA. Among
those givingtheir time and engery are Lindsey Powell, Rebecca
Sobel, Kimberly Dukes, Stephanie Takaragawa, and Kendall Roark.
We welcome your comments, criticisms and suggestions for additions.
We have no funds for this site and are dependent upon voluntary
labor. If you know a work that deserves to be circulated, please
consider scanning it and sending the work on disk so that we can
add it to the archive. . Please email us at WAVA.
Please note - the original pagination of all published work has been preserved and indicated so that readers may accurately cite. Some documents are in PDF form that requires Adobe Acrobat Reader. The Reader is available for download free from http://www.adobe.com/products/acrobat/readermain.html for both Mac and Windows.
Hortense Powdermaker Page - contains the complete manscript of Hollywood, the Dream Factory plus other related essays.
Robert Flaherty
Page - contains Robert J. Flaherty, a Biography by Paul Rotha. Edited
by Jay Ruby. Philadelphia: University of Pennsylvania Press, 1983. and other
resources.
KiJung
Lee's unpublished dissertation, Film, Culture and the Generation Gap: An
Anthropological Study of Chimhyang, A Korean Feature Film (2001) .
Alex Baker's unpublished dissertation. The
Schuylkill River Park Public Art Process: An Ethnographic Focus on a Philadelphia
Urban Park's Development.(2002)
Nora Jones' unpublished dissertation., The Mütter Museum: The Body as Spectacle, Specimen, and Art
There is every indication
that book publishing is in serious trouble and that scholarly
works with a limited audience will have a hard time being published.
Even those works that do find a publisher will go out of print
very rapidly. There are many indications that an interest in visual
anthropology is increasing and that several institutions are organizing
courses in this subject for the first time. The WAVA offers professionals
and students, particularly those in institutions without an extensive
library, a chance to gain access without costs to materials that
otherwize would be outside of their reach. It is an service essential
to the growth of this field. And one that can be realized at relative
little cost.